| Title | Artist |
| Abhi apna abhi paraya | Gaudi, Nusrat Fateh Ali Khan |
| beethe Beethe Kese Kese | Gaudi, Nusrat Fateh Ali Khan |
| dil da rog muka ja mahi | Gaudi, Nusrat Fateh Ali Khan |
| ena akhiyan nooo | Gaudi, Nusrat Fateh Ali Khan |
| ghamgar bare ne | Gaudi, Nusrat Fateh Ali Khan |
| jab teri dhun mein raha karte thay | Gaudi, Nusrat Fateh Ali Khan |
| kahin mot se bhi na jaao | Gaudi, Nusrat Fateh Ali Khan |
| maino ole bai ke peee lain de | Gaudi, Nusrat Fateh Ali Khan |
| othe mere yaar wasda | Gaudi, Nusrat Fateh Ali Khan |
| tere Jana kere rang lawe | Gaudi, Nusrat Fateh Ali Khan |
There is always something a bit macabre in creating a collaboration with a musician who has been dead for a decade. This kind of thing is nothing new, of course. The dead are sampled daily--from Nina Simone to Elvis Presley and, most recently, Billie Holiday. But this kind of reconstructive homage reeks of easy opportunism. Nusrat Fateh Ali Khan was the Ravi Shankar, Jimi Hendrix, and John Coltrane of Qawwali singing, the sacred and ancient vocal style popularized in Pakistan and brought to the world by Nusrat in the 1990s. Nusrat himself wasn\\ |
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